Flora Gosling
May 4, 20222 min read
Review: The Exorcist (Theatre Royal Glasgow)
Horrifying your audience is easier when they are trapped in a small space. We’re practically begging to be snuck up on. In a big venue...
Flora Gosling
May 4, 20222 min read
Review: Horrible Histories: Terrible Tudors (King's Theatre Glasgow)
Trying to entertain a group of children is quite a task. Trying to teach a group of children is a bigger one. Trying to do both is...
Flora Gosling
May 4, 20223 min read
Review: The Girl on the Train (Theatre Royal)
When you move a story from medium to medium, the challenge you face is to hold onto what made it special in the first place. After the...
Flora Gosling
May 4, 20223 min read
Review: Heart of Darkness (Tron Theatre)
Just when I thought we were beginning to move away from black stories being told through white eyes, the surprise win for “Green Book”...
Flora Gosling
May 4, 20223 min read
Review: The Tell-Tale Heart (Dorfman Theatre)
In a city awash with Pantos and feel-good festive shows, it is only natural that my macabre sensibilities were attracted to Anthony...
Flora Gosling
May 4, 20224 min read
Review: Jane Eyre (His Majesty's Theatre)
“Jane Eyre”. Classic novel by Charlotte Brontё, translated into 30 languages, and have over 500 pages of a woman growing up in difficult...
Flora Gosling
May 4, 20223 min read
Review: Trainspotting Live (EICC)
Choose life. Choose a career. Choose a family. Choose a fudging big television, choose washing machines, cars, compact disc players, and...
Flora Gosling
May 4, 20222 min read
Review: Nothing (Summerhall)
Nothing matters. Nothing at all. It’s a difficult thing to hear, but that is the premise of Teater V’s production. Based on the beautiful...
Flora Gosling
May 4, 20224 min read
Review: Room (Dundee Rep)
It is not that often that a story goes from being a film to a stage adaptation. More often it is the other way around, but with the huge...