Flora Gosling
May 4, 20223 min read
Review: Antony and Cleopatra (Royal Shakespeare Theatre)
Please let it be good. Please let it be good. Please let it be good. Despite my usual determination not to prejudge any production, nor...
Flora Gosling
May 4, 20223 min read
Review: Who's Afraid of Virginia Woolf? (Harold Pinter Theatre)
Now, this is the big one. This is the one that has got people talking, even in Aberdeen, particularly after the Harold Pinter Theatre...
Flora Gosling
May 4, 20223 min read
Review: Obsession (The Barbican)
Obsession. It’s about a couple of people who are obsessed with each other, trouble is one is married. And that’s it. One could be...
Flora Gosling
May 4, 20223 min read
Review: The Beauty Queen of Leenane (The Gaiety)
“Stunning”. “Outstanding”. “Brilliant”. These are words that have thus far been used to describe “The Beauty Queen of Leenane”, and will...
Flora Gosling
May 4, 20225 min read
Review: The Crucible (His Majesty's Theatre)
As soon as I entered His Majesty’s Theatre, this latest production of Arthur Miller’s masterpiece was in peril. Due to a rather foolish...
Flora Gosling
May 4, 20224 min read
Review: Hedda Gabler (The Lyttelton)
I tend to find single-minded, ego-stroking reviews of the lead actor/actress a bit of a bore. As soon as there’s a big production of a...