Flora Gosling
May 17, 20232 min read
Review: Love the Sinner (Tron Theatre)
An invitation to a dark underbelly of millennial sins: Performance poetry could be so much more than it is often allowed to be...
Flora Gosling
Aug 7, 20222 min read
Review: Seen 00:25 (C Aquila)
A dark but disjointed multimedia performance about anorexia and the internet
Social media, especially content consumed by young people...
Flora Gosling
Aug 6, 20222 min read
Review: Breathless (Pleasance Courtyard)
A solo play from Laura Horton about becoming buried beneath beautiful clothes. It shouldn’t have to be said, but Obsessive Compulsive...
Flora Gosling
Jul 29, 20224 min read
Review: The Tempest (Bard in the Botanics)
Prospero is Reimagined in Bard in the Botanics’ Staggering Final Performance of the Summer
Back in October, Nicole Cooper starred in...
Flora Gosling
May 4, 20222 min read
Review: Skank (Pleasance Courtyard)
Skank introduces us to Kate; a woman on the brink of crisis who uses sex and self-deprecating humour and sex to distract herself from her...
Flora Gosling
May 4, 20223 min read
Review: Patricia Gets Ready (For a Date With the Man That Used to Hit Her) (Pleasance at the EICC)
We’ve all imagined chance encounters with people we have an urge to confront. We imagine in the shower, in the car, before we go to sleep...
Flora Gosling
May 4, 20223 min read
Review: Smile Like You're Happy (TheSpace Triplex)
When it comes to discussions around social media, theatre tends to lag behind other forms of entertainment. There are exceptions, such as...
Flora Gosling
May 4, 20222 min read
Review: The Political History of Smack and Crack (Tron Theatre)
The words “political history” are not the most enticing to see on a poster at a theatre. But smack and crack? That’s how you sell...
Flora Gosling
May 4, 20222 min read
Review: dressed. (Tron Theatre)
Now that we are in something of an aftermath of the #MeToo movement, it seems like interest has ebbed a bit, but I think we can all agree...
Flora Gosling
May 4, 20222 min read
Review: Welcome to Self Co. (Tiny Theatre at Garnet Station)
Corporate humour is, for the most part, fairly safe ground. It is an area to which most people can drag up unpleasant memories about...