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Flora Gosling
May 4, 20224 min read
Review: Love in the Time of Lockdown (TheSpace @ Surgeons' Hall)
I confess, this year I expected the stages of Edinburgh to be awash with lockdown-related plays this August, but I was wrong. Maybe in a...
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Flora Gosling
May 4, 20223 min read
Review: Styx (Assembly George Square)
In Second Body’s theatre-concert Styx, we are told that when we recall an event we are actually remembering the last time we remembered...
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Flora Gosling
May 4, 20222 min read
Review: Sh!t Theatre Drink Rum with Expats (Summerhall)
Expat (noun): a person who lives outside their native country. In Louise Mothersole and Rebecca Biscuit’s self-described documentary...
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Flora Gosling
May 4, 20222 min read
Review: You're Safe 'Til 2024 (Pleasance Courtyard)
How do you make a show about the environment? In the case of most performances, angrily, pessimistically and equipped with instructions...
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Flora Gosling
May 4, 20221 min read
Sound Cistem (Zoo Playground)
Physical theatre has an amazing ability to communicate messages through the bodies of performers. Plaster Cast Theatre’s Sound Cistem...
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Flora Gosling
May 4, 20221 min read
Review: Are we not drawn onward to new erA? (Zoo Southside)
Take a close look at that title. Notice anything about it? Are we not drawn onward to new erA?, much like its namesake, is a palindrome....
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Flora Gosling
May 4, 20222 min read
Review: Standard:Elite (Bedlam Theatre)
Whoever said politics and class couldn’t be fun? In Standard:Elite by Hidden Track, privilege is turned into a game; there are standard...
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Flora Gosling
May 4, 20222 min read
Review: We Want You to Watch (theSpace on Niddry Street)
Voyeurism is a difficult topic to challenge through theatre; you can't criticise people taking enjoyment by looking at sexual images,...
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Flora Gosling
May 4, 20221 min read
Review: Evaluation (The Greenhouse)
Understandably, the environmental crisis is a focal point of more Fringe shows than ever. But, as with previous years, a lot of companies...
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Flora Gosling
May 4, 20222 min read
Review: 8:8 (Summerhall)
It seems that every Fringe there is a competition between a select group of shows to be the most intimate. In Jessica Huber and Kerin...