Flora Gosling
May 4, 20224 min read
Review: Sugar Baby (Paradise in The Vault)
THIS IS A SHOW ABOUT HOW EVIL SUGAR IS! OH, YOU DIDN’T KNOW? WELL, SUGAR IS EVIL. EVIL EVIL EVIL, AND THE LOUDER YOU SAY IT, THE TRUER IT...
Flora Gosling
May 4, 20223 min read
Review: Enterprise (Assembly)
What makes the average consumer invest in a show? How do we attract the 18-35 market to a performance? What are the projections on a...
Flora Gosling
May 4, 20222 min read
Review: NSFW (theSpace on Niddry Street)
Hmm, I wonder if I started featuring topless production photos, whether my male audience will increase. Only really attractive actresses,...
Flora Gosling
May 4, 20223 min read
Review: Trainspotting Live (EICC)
Choose life. Choose a career. Choose a family. Choose a fudging big television, choose washing machines, cars, compact disc players, and...
Flora Gosling
May 4, 20223 min read
Preview Review: Velvet Evening Séance (Assembly)
The place where magic and theatre cross over in the venn diagram of performance is an intriguing one. Though the spectacle of...
Flora Gosling
May 4, 20223 min read
Review: Bleach (Laughing Horse @ 48 Below)
One man show? Check. LGBTQ+? Check. Edgy subject matter? Check. You now qualify as a Fringe show. The whole point of the Fringe is to be...
Flora Gosling
May 4, 20222 min read
Review: Nothing (Summerhall)
Nothing matters. Nothing at all. It’s a difficult thing to hear, but that is the premise of Teater V’s production. Based on the beautiful...
Flora Gosling
May 4, 20223 min read
Review: F*ckboys for Freedom (Sweet on Grassmarket)
Ah, subtlety. What a thing it is. This devised production from Pandorum Theatre Company bids us on what turns out to be an adventure into...