Flora Gosling
May 4, 20222 min read
Review: Mediocre White Male (Assembly Roxy)
Often in monologues, we learn more about a character the less we hear the actual details of their life. The more you avoid discussing the...
Flora Gosling
May 4, 20224 min read
My Favourite Shows of 2019
Christmas TV specials aren’t really my thing. Rehashed Christmas movie formulas (with some select exceptions) don’t do it for me either....
Flora Gosling
May 4, 20221 min read
Review: Are we not drawn onward to new erA? (Zoo Southside)
Take a close look at that title. Notice anything about it? Are we not drawn onward to new erA?, much like its namesake, is a palindrome....
Flora Gosling
May 4, 20222 min read
Review: Standard:Elite (Bedlam Theatre)
Whoever said politics and class couldn’t be fun? In Standard:Elite by Hidden Track, privilege is turned into a game; there are standard...
Flora Gosling
May 4, 20223 min read
Review: The Convert (The Young Vic)
For better or worse, it seems most of the attention “The Convert” is getting is for its ties to “Black Panther”. Writer Danai Gurira and...
Flora Gosling
May 4, 20223 min read
Review: 2AM Phone Call (BATS Theatre)
There is a certain rhythmic, hazy quality to being awake at two in the morning. Especially when your reason for being awake at that time...
Flora Gosling
May 4, 20222 min read
Review: Drowning in Milk (Q Loft)
What is the attraction, for a white person and/or a man, of going to a show about why living in a male and white-dominated world is...
Flora Gosling
May 4, 20222 min read
Review: Nothing (Summerhall)
Nothing matters. Nothing at all. It’s a difficult thing to hear, but that is the premise of Teater V’s production. Based on the beautiful...
Flora Gosling
May 4, 20224 min read
Review: Silent (Peacock Theatre)
It’s fair to say that “Silent”, as an elevator pitch, would be unlikely to attract the average man walking, or lying, on the street. The...