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Flora Gosling
May 4, 20223 min read
Review: The Girl on the Train (Theatre Royal)
When you move a story from medium to medium, the challenge you face is to hold onto what made it special in the first place. After the...
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Flora Gosling
May 4, 20223 min read
Review: Touching the Void (The Lyceum)
Joe Simpson’s incredible survival from a mountaineering accident on Peruvian mountain Siula Grande has been turned into a best-selling...
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Flora Gosling
May 4, 20223 min read
Review: The Tell-Tale Heart (Dorfman Theatre)
In a city awash with Pantos and feel-good festive shows, it is only natural that my macabre sensibilities were attracted to Anthony...
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Flora Gosling
May 4, 20222 min read
Review: The Border (BATS Theatre)
Uprooting one's life, risking everything for a chance to improve one's life, is the kind of story that great drama is built on. "The...
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Flora Gosling
May 4, 20222 min read
Review: Seance (Summerhall)
What’s that? No production photo? No, you must be mistaken, my dear. That’s it. That’s what “Séance” looks like. That’s what it looks...