Flora Gosling
May 4, 20223 min read
Review: The Girl on the Train (Theatre Royal)
When you move a story from medium to medium, the challenge you face is to hold onto what made it special in the first place. After the...
Flora Gosling
May 4, 20223 min read
Review: Touching the Void (The Lyceum)
Joe Simpson’s incredible survival from a mountaineering accident on Peruvian mountain Siula Grande has been turned into a best-selling...
Flora Gosling
May 4, 20223 min read
Review: The Tell-Tale Heart (Dorfman Theatre)
In a city awash with Pantos and feel-good festive shows, it is only natural that my macabre sensibilities were attracted to Anthony...
Flora Gosling
May 4, 20222 min read
Review: The Border (BATS Theatre)
Uprooting one's life, risking everything for a chance to improve one's life, is the kind of story that great drama is built on. "The...
Flora Gosling
May 4, 20222 min read
Review: Seance (Summerhall)
What’s that? No production photo? No, you must be mistaken, my dear. That’s it. That’s what “Séance” looks like. That’s what it looks...